Wednesday, March 24, 2010
Thursday, March 18, 2010
Saturday, March 6, 2010
Bricks and Paint and Water and Metal aims to embrace the way in which we experience heavily abandoned industrial neighborhoods by documenting their aesthetics. Often times the most intriguing aspects of these neighborhoods can be the small details inherent to this type of urbanity. Mobile devices were used as the tool of documentation to reflect the transitory way that many of us experience these neighborhoods. The resulting media has then been re-imagined via various computer programs to create both visual "postcards" of Gowanus.
Attesting to the acoustic environment’s essential role in the constitution of physical, social, and existential space, the art of phonography (“sound writing”) captures sound’s unique capacity to document the complex network of encounters that define our experience of the world. Sounding the Infra-ordinary: Gowanus explores how acts of “sound writing”—considered here primarily as experimental writing practices—may be used to develop an ethics of listening that reconsiders the sonic experience. Workshop participants attempted to literarily mediate the acoustic environment via short, plainly descriptive methods adapted from Georges Perec’s Species of Spaces and Other Pieces during a soundwalk/ramble along Gowanus Canal. The result of this collective endeavor, the documentation is superimposed over a graphic rendering of the canal.
The Many Scapes of the Gowanus attempts to chart this elusive media-scape by interacting with the physical site of the Gowanus Canal and exploring the hypothesis that new mapping technologies have changed our experience of the built environment by creating a less tangible, more disconnected urbanity.
In 2007 a one-year-old Minke whale died in the Gowanus Canal in NY. It was identified as NY 3673-07 but nicknamed Sludgy by the locals. In February 2010 I received a package from the whale. It contained four 16mm film loops and specific instructions for their projection. The message stated that the loops should be played during three days, one loop per day. In Accordance to the whale’s wishes I will go to the gallery each morning and play the corresponding loop. As per the instructions la images on each loop will degrade and gradually disappear. As a sign of good will on each day I will leave an offering for the whale. On the third day I will perform a ritual by the projection to let the whale know that its message has been received. This will bring back harmony between our different worlds.
Post Scriptum: The whale wishes not to be referred to as either Sludgy or NY 3673-07. Its true name, however, I am not at liberty to reveal at this time.
Through collaborative sessions I capture intimate body sounds moving through space—including participants’ breath, heartbeats, vocal expressions, footsteps, scratches, and gurgling as they traverse through the Gowanus. At a particular space that induces attachment, vulnerability, or connection, each participant sings, hearing one’s own voice resonate within the chosen area. When recorded, each event is an archive of attachment to the given space.
Built by Allie Tsypin, a costume inspired by the bridges and boats of the Gowanus Canal explores relationships between water, architecture, and the female body while materializing my own attachment to particular spaces in the area. Space is carried like a weight on the body, like baggage or an extension of a limb. But what mark does a body make in a given space? You remember space like an appendage on your skin but does space remember you?
Live vocalizations will be performed by Gabrielle Herbst with recorded material in the architectural‐inspired costume.
Gowanus Unheard sonifies mental images of experiential space. Inspired by The Image of the City, Kevin Lynch's 1960 study on urban environments and mental mapping, the project aims to uncover deeper links between city dwellers and their lived space. Participants were asked to draw a map from memory, which is then "carved" out of the sonic spectrum of audio field recordings. Using several digital algorithms to create an interaction interface between the map drawings and the audio, Gowanus Unheard converts the hand-drawn sketches of the Brooklyn neighborhood into a series of sound compositions.
Based on a series of solitary sonic explorations around Gowanus, Sounds in-between is an audio diary of sounds that exist in-between our perceptible reality and the reality that we tend to dismiss. The sounds come from the inner composition of constructed and static environments, buildings and “quotidian” sound objects that we pass by, and chance interactions with people and activities. The recordings are compiled in a CD accompanied by a hand made diary/booklet that will be presented as part of a desk tableau inside the gallery.
Sounds: Maria Papadomanolaki
Images: Tijana Corpf, Catherine Rio, Apostolos Voulgarakis, Samuel Sobot and Maria Papadomanolaki
Double Helix documents a meandering walk through Gowanus along its life and death line: the canal. Both beginning at the same place, the two artists walked a pre-planned route mirroring and encountering each other on each of the four bridges that cross the canal—points of convergence and separation echoing the tone of the neighborhood as a place in between—while recording visuals and sound. The information that results from this walk and subsequent research and thinking will be integrated into a final video "map" of the walk which will tell the story of the intertwining explorations as they unfold.
Sterling Basement presents Songs of the Gowanus in homage to the Gowanus Canal. The ensemble includes John Roach, John Hudak, Dave Ruder, and Aaron Moore playing band-o-phones, home made thumb pianos, motorized autoharps, and a variety of other instruments. Songs of the Gowanus also features poems by Matthew Rohrer derived from archival texts related to the once thriving shipping hub. Join us as we dredge the canal.
Inspired by Fortress of Solitude, Jonathan Lethem’s picturesque novel about growing up in Gowanus during the 1970s, “The Slate Was Her Parlor” is a photo-collage tableaux incorporating local detritus and other found objects.
Sib Radio Gowanus is a narrowcast audio exhibit that will run in conjunction with the Postcards from Gowanus exhibit. The program will host a series of sonic artworks ranging from field recordings, drones, micro-sound to ambient and electro-acoustic compositions by US and international artists, including works by the participants of the Postcards from Gowanus exhibition. Sib Radio Gowanus bridges the space between the inaudible and the invisible (and yet real) ethereal, and the physically present exhibits inside the gallery. For more information about the playlists and featured artists, visit: http://sibradio.blogspot.com/
Sib Radio Gowanus is curated by Maria Papadomanolaki and is sponsored by free103point9.
Technical Adviser and Support: Jeremy D. Slater.
Sib logo: Sofia Kokkinis.
Many thanks to all the artists who generously submitted materials for this project.